{"id":10183,"date":"2026-01-16T12:02:26","date_gmt":"2026-01-16T15:02:26","guid":{"rendered":"https:\/\/colaboraciones.dieecke.art\/?post_type=colaboraciones&p=10183"},"modified":"2026-06-11T19:28:12","modified_gmt":"2026-06-11T23:28:12","slug":"francisco-copello","status":"publish","type":"colaboraciones","link":"https:\/\/colaboraciones.dieecke.art\/en\/francisco-copello\/","title":{"rendered":"INVESTIGACI\u00d3N FRANCISO COPELLO"},"content":{"rendered":"
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ACERVO<\/sub><\/p>\n

COPELLO NORERO<\/sub><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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El proyecto de investigaci\u00f3n que a continuaci\u00f3n se presenta como un repositorio digital est\u00e1 dedicado a organizar de manera cohesiva y cronol\u00f3gica tanto las obras como el material documental producido por el artista visual y performer Francisco Copello Norero (Santiago de Chile, 1938 – 2006) que qued\u00f3 en manos de la familia Copello Norero posterior a su fallecimiento.<\/span><\/p>\n

This material, composed of drawings, collages, photographs, audio and video tapes,\nmanuscripts, books, magazines, exhibition catalogs, etc., was previously unpublished, as it\nhad not been made available to the public.<\/span><\/p>\n

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The research aimed to recognize, identify, preserve, and publish the documents in order to\nmake them known to diverse audiences, thereby contributing to a greater understanding of\nCopello\u2019s artistic legacy within the national and international cultural spheres. Likewise, this\nproject aims to address the current need to rescue and document the personal archives of\nChilean artists, on the understanding that it is essential to preserve the memory of artists\nand make it available to communities that can study them and generate new interpretations\nthat contribute to the enrichment of art history.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Die Ecke<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n

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TIMELINE<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The following timeline presents all of Francisco Copello\u2019s unpublished artistic and documentary material (photographs of artworks and contexts, leaflets, catalogs, press clippings, etc.) belonging to the Copello-Norero family collection into chronological periods.<\/span><\/p>\n

Alongside this material are other documents and information from national collections that preserve original documentary material donated during Francisco Copello\u2019s lifetime to foster critical intersections between documentary collections: written documentary material from CeDOC (Center for Visual Arts Documentation, Cerrillos National Center for Contemporary Art) and audiovisual material\u2014recordings of performances, interviews, and others\u2014available online at the National Museum of Fine Arts website.<\/span><\/p>\n

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1962-1967<\/span><\/p>\n
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Francisco Copello se traslad\u00f3 a Italia para estudiar en la Academia de Bellas Artes de Florencia, luego de haber trabajado algunos a\u00f1os en la empresa familiar de fideos “Bandera” en Santiago. All\u00ed se especializ\u00f3 en pintura y grabado, y conoci\u00f3 a In\u00e9s Osella, de origen argentino, quien fue su amiga y compa\u00f1era en la Academia. Seg\u00fan los propios relatos de Copello, junto a In\u00e9s recibieron clases privadas por parte del pintor y grabador Augusto Zoboli (Modena, 1894 – Formigine, 1991) durante un a\u00f1o. Copello se fascin\u00f3 especialmente con la arquitectura y las artes renacentistas florentinas. En 1967 recibe su diploma de Licenciatura con menci\u00f3n en Pintura.<\/a><\/p>\n

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