This work is exhibited in the original Die Ecke gallery, in Santiago, in the fall of 2011, along with 530 pounds of quince produced during that season, and with the registry on video projected on the wall. During the duration of the exhibition, the art gallery became the point of distribution of the product, the overlapping of the functions present and past of the building on the corner as an art gallery and store of the neighborhood. The table became a record of this, through the action of noting on it the final destination of each can of dulce de membrillo. Subsequently, in 2014, was exhibited in the National Historical Museum, in the exhibition Ephemeris: Fragments selected from the recent history of Chile.